Working my way through...
AtMoSpHeRiC RuMiNaTiOnS...
This is either a blog about everything or nothing at all. You be the judge.
Tuesday, September 29, 2009
Saturday, September 26, 2009
SOME RANDOM PHOTOS...
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Later that day, I went back to the Ocean to see if it was any cooler there than it was inland (not much), and that's when I spotted this little pleasure-cruiser coming into the bay; at left, it's approaching the inlet; at right, it's in the channel. Look how much bigger this boat is in comparison to the vehicles in the relative foreground. The boat's name is the "Vaio-(something)" (hey it's hard to read thru binoculars) and it's Plain Old Huge!
Friday, September 25, 2009
LAY DOWN THAT BOOGIE...
...and play that racially-sanitized music 'till you die!
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I knew it was gonna be a hit before it ever hit the charts. It was one of those records that leapt from the turntable when it was played; it just had that "something special" which really set it apart from a whole lot of other records which had been released in that just-before-total-disco-saturation year of 1976. It was heavy, it was funky, the vocals were great, and best of all, it had one of those high-on-the-neck, wailing guitar solos. And it turns out this song is another of those "one hit wonders", but if yer gonna only ever gonna have one hit, let it be a song of this magnitude...it really did take the country by storm...
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"Play That Funky Music" was a perfect cohabitation of rock and soul, and was totally different than any of the other music of its day. I was working at a small radio station when this came out; in one of the promotional packages the Record Companies would send out was this record, and man, oh man, was this one of the funkiest, greasiest, bottom-heavy singles I'd ever heard, and even though I still hear it a couple times a week on the oldies station, it's a song that I never get tired of; it's just one of those endlessly fresh records that retains all the impact that it had over 30 years ago. The problem is, how do you top a record like this? And should you even try? The group, "Wild Cherry", certainly tried; they released four albums from 1976 thru 1980, but they couldn't score with anything else. Their albums were all okay, but nothing they ever did was as good as "Play That Funky Music". The group's followup single, "Baby Don't You Know", is cut from the same heavy-funk groove all right, and the chorus goes something like, "Baby, Don't You Know That The Honkies Got Soul", which I thot was kinda cool, ah, but it just didn't catch on. "Play That Funky Music" stands as the group's only hit, but What A Hit It Was.
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What led me to post this, is because I heard "Play That Funky Music" on the radio again today, only 'something' was a little bit different. The chorus of the song starts out by saying, "Play That Funky Music, White Boy", but the Politically-Correct Music Meanies out there have been up to their tricks it seems, for the version I heard today says, "Play That Funky Music", with the "White Boy" phrase chopped out! So the edited version of the song now goes, "Play That Funky Music, (Play That Funky Music), Play that funky music riiight", and so another 'something' that we've all grown to know and love has fallen victim to the Politically-Correct Meanies out there. We all know that phrase was chopped out so no one would be offended. But who is it targeted at? The WHITE sector of the population. I never felt offended by it. We all know that Black Music is the funkiest music of all! So, it's surprising when the White Boys are Funky! Remember the 'Average White Band'? They were a group of White Boys from Scotland who Played funky music, all right; their big hit was a 1974 instrumental called "Pick Up The Pieces". You can tell from the group's name that they're White, and they're making fun of themselves as well as the rest of us un-funky White Boys. So today, would The Average White Band have to call themselves "The Average Caucasian Musical Ensemble"? Maybe!
Most all of the Oldies stations in the USA rely on a pre-programmed satellite signal which originates from a single facility, and is beamed via satellite to other stations which subscribe to that service. There are several such "chains" around the country, each playing their own mix of top-40 hits which are beamed to subscribing stations. So the 'oldies' station may or may not be playing the edited "Play That Funky Music", but when I heard it today, I was a little bit shocked. And I'm kinda thinkin' that the Very Rev. Al Sharpton must've raised hell with broadcasters around the country thusly: "Hear ye, hear ye, if you don't take that racially charged song off the airwaves, we--and there are a lot of us--are gonna boycott all your advertisers." "But Mr. Sharpton, it doesn't refer to blacks, it refers to whites!" Sharpton: "well, in that case, never mind..." (Al Sharpton always seems to be trying to extend his 15-minutes-of-fame somehow.)
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A whole lot of late-'70s chart music was really shallow in nature, and I feel I have to apologize in part for that, since I played a lot of it on the radio. But, "Play That Funky Music" is one of those tunes that makes me grin from ear to ear every time I hear it. I must be a Honkie that's got soul...
Wednesday, September 23, 2009
I CAVED-IN BIG TIME!!!
But I had to do it or it would've tormented me forever...
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Friday, September 18, 2009
NO, I'M NOT A FOLKIE...
...but yet, some folk groups meant a lot to me...
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I guess through the ages, there've been diehard Folk Music Purists out there, and anytime any kind of 'something different' invades their music, they become Deeply Offended. Remember the Kingston Trio? They were decried by the Folk Purists for being too smooth, for not being somber and overbearingly somber in concert. How about Bob Dylan? He was booed off the stage when he first elected to have Electric Guitars and a Full Band behind him long, long ago. I'm no rabid Dylan fan, but his more-hard-edged music reaches me Just Fine. For instance, Dylan's early acoustic version of "Shelter From The Storm" is a great song, but to me, it became better the instant I heard the "Live" version of that track (it's on the "Hard Rain" album) with a full-tilt rock band behind him, and all of a sudden the song became Really Powerful. Something tells me that while being a Purist may be a serious undertaking, it doesn't sound like a lot of fun to me. I've always been a fan of musical cross-pollination. Mix in a bit of this and a bit of that and let the fun begin!
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Peter, Paul and Mary were another of those folk groups that could cross over the lofty boundary between Folk and Rock; they had a long and spirited career, and wrote many of their songs as well as doing outside material, and they remained relevant for a long, long time. Were it not for them, perhaps Bob Dylan would be sweeping out stock rooms and washing dishes; his 'Blowing In The Wind' flew through the masses via the musical wings of Peter, Paul and Mary, who added a sense of brightness and ultra-unique harmonies to really make that song come alive. And the world, and not just the folkies, became aware of Dylan's lyrical prowess. In a way, Peter, Paul and Mary were trendsetters; long around 1968, they did a song called "Too Much Of Nothing", which is an ultra-obscure Dylan tune that is one of his most obscure tunes ever. So how did they find that song? Maybe on a bootleg album? Because Dylan himself had never Officially Released that song by that time. (1968) How about that!
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I'm sure that even the most ardent Dylan admirer will readily admit he's not, nor will ever be, the best singer ever...especially in these later days, it sounds like he's got one vocal cord that halfway works. So I value artists such as Peter, Paul and Mary, who could bring great songs to the forefront. For those of us who weren't in Greenwich Village when the Folk Music Boom was happening, hearing these Popularized folk songs was our initial experience to that whole genre. If you like a song written by a certain person, maybe then you can buy that certain person's music, but you wouldn't have heard that song unless it had been popularized by Somebody!
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It's always sad when performers we've all come to know pass on into eternity; such was the case with Mary Travers, the "Mary" of Peter, Paul and Mary.
She passed away this week. She Is Missed. Her voice and enthusiasm are timeless. Peter, Paul and Mary picked their material from a diverse selection of writers, doing songs by Bob Dylan, Gordon Lightfoot, Shel Silverstein, Tom Paxton, and Phil Ochs, giving them all early exposure in the ever-competitive music world.
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In addition, they wrote a lot of their own material, such as "I Dig Rock And Roll Music" and "Day Is Done", and they wrote an album track that I think is possibly the Greatest anti-war anthem of all (I've never heard it on the radio, but it's great, trust me), a song titled "The Great Mandella (The Wheel Of Life)"; that song caught my ears back in 1967 and still is powerful, disillusioned and bitter, and although it was recorded during the Vietnam War, its message is still timely today. ("The Great Mandella" is on their LP, "Album 1700", which got its title because it was Warner Brothers' Records Catalog Number 1700, so there's a bit of trivia). This, from the same group that wrote and sang "Puff The Magic Dragon", a song that makes me think of Innocence Lost every time I hear it.
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Peter, Paul and Mary will always exist in a corner of My Particular Musical Universe. And, the voice of Mary Travers, along with her bandmates, are indeed Voices Of and For the ages. That's quite a legacy. By the way, Yes, I know The Byrds also popularized Dylan songs, but that's another subject for another post. This post has gotta end sometime, y'know...
Sunday, September 13, 2009
STAYING IN ON A SUNDAY...
...for one day, I became a hermit...
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So how uneventful was today? In a phrase, Very Much So. This is the kind of day that you watch Paint Peel. It was such a lazy day that I saw a Dog chasing a Cat and they were Both Walking. Okay, that's exaggerating things a bit, but maybe not all that much, actually. My main reason for living today was that I wanted to see today's Double-header between the Seattle Mariners and the Texas Rangers. I saw Ichiro get his 200th hit of the year this afternoon, and he's now done that 9 seasons in a row, and no player's ever done that, consecutively, for such a long time. (I know I'll sound like Rick Rizzs, the over-inflated, miniscule-detail-oriented Seattle Sportscaster, but...Pete Rose had ten 200-plus-hits seasons...but not 10 in a row...or 9 in a row.) As I type this, Game 2 is still on. The Mariners won last-night's Absolutely Drenched game, which was played in rainfall that would've sunk the Titanic; they won the first game today and are on the way to winning the second unless they suffer a severe relapse, but we all know that never happens to the Mariners...right?
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A by-product of staying in today was finding out what Captive Birds do All Day Long. Well, they eat. Then they clean their feathers. Then they climb around the cage. Then they repeat the process over and over again all day long. Of course, my cockatiels are out of the cage pretty-much all the time when I'm home. So today was spent in the ol' La-Z-Boy, trying to watch the Mariner's double-header with birds Climbing All Over Me. If I give one some head-scratches, that's what the other wants too. It's not easy to scratch two birds' heads simultaneously. It's harder than it looks. Of course, I bring bird food over to the recliner, so they can munch without having to go back to their cage. No, they're not spoiled (are they?).
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Here's Shadow, my gray-headed female whose personality is picky, picky, picky. When she's sitting on my shoulder, and nibbles at my glasses, that's when she wants a head scratch. Unless it's late afternoon; that's when she wants food. And I'm supposed to know all this. If I try scratching her head when she wants food, she'll gently 'beak' my fingers and emit a hoarse-sounding mini-screech...but actually, she is very well-behaved, being rather reserved. Although she's developing a bad habit...she likes COFFEE. She'll stick her head in my coffee cup and take a couple of beakfuls...
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The next photo features "Sunshine", my yellow-headed, pied female, which I and the pet-shop owner thot was a male, because it chirped loudly and behaved rather aggressively. This is the bird that laid an egg ON me. So it's a female. She's almost like the obnoxious brat-little-kid who's tossing food and screaming like a banshee in the restaurant booth right next to yours. But sometimes, she's so sweet. She'll sit on my knee and make her little beak-grinding sounds (a sign of contentment in a cockatiel); that tells me I've done good with her. And then she gets aggressive again. Case in point: This afternoon I microwaved a couple of those cheap little Meat Pies (hey, us humans have to eat after all), and after they cooled, took 'em both back to the bird room. "Sunshine" immediately got curious, so I tried giving her a little bit from my fork, and she backed off...not used to warm food, possibly. So I took a mouthful, and that was when she immediately crawled up my chest and began stealing food out of my mouth! It's a sort-of bird-bonding thing, I guess.
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What I'm still getting used to, is the fact while both birds will take all my energy, as soon as 6pm rolls around, they want the cover tossed over their cage, they wanna sleep and they don't wanna have anything to do with me. But ya know, sometimes that works out, because it leaves me a little bit of time in which to watch some evening baseball and do some blogging. Sometimes, if I'm going to be gone all day, and I know they'll be asleep before I get home, I'll just leave 'em be and go watch TV in the bedroom. So far, the arrangement is working out. Most days I'll spend 2-3 hours with them in the morning/early afternoon. But then I've gotta get out; if I don't, I'll start chirping instead of talking.
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Finally, here's something that's a little bit different...I've mentioned that one of the bridges down here is a drawbridge, something that a person who lives in a land-locked state doesn't come across very often (unless your commute takes you over the Mighty Mississippi). The other day, I was headed to the beach, and had to stop. There was absolutely no doubt about it. You see, there was no choice...
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Several of the larger fishing boats in this area are actually moored on the landward side of the bridge, which means they've gotta go under the bridge to get to where they're going, except that they're too tall, so something's gotta give, and in this case, it's the bridge. It's a 5-10 minute wait at the longest, and this is an instance which absolutely proves that if you bring a digital camera along, what might irritate you actually becomes something pretty cool to photograph. And below, this is the vessell which was responsible for The Big Bridge Incident...
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One night last year while headed homeward, I came upon The Dreaded Open Drawbridge, so I waited for it to close. And waited. And waited some more. I finally ended up driving a 25-mile loop just to get home, which is about 3 miles north of the bridge. So every now and then, I still find meself goin' round in circles. Finally...the Mariners swept the double-header and the Seahawks shut-out Los Angeles today. So, the birds are sleeping and My Teams Won. All in all, not bad, not bad at all...
Friday, September 11, 2009
ONE SEPTEMBER MORNING...
...it was just another day...for a while...
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I've never been an early riser. Sorry, that's just not built into my Genetic Code. As I recall, it was my Day Off. A beautiful day, not a cloud in sight where I used to live in North Idaho. And what better way to start off the day than to go out and get Breakfast! I got to the restaurant at about 11:30am (told you I'm not an early riser...) and gave the waitress my order. As I sat in the booth, the "climate", the "feel", the "atmosphere", the "aura" or whatever you want to call it was just Wrong Somehow.
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I hadn't listened to the knews on my way to breakfast, so I didn't know anything of any consequence had occurred. I was a 'regular' at that restaurant, and so quite a few people I knew were sitting around in there, talking in hushed tones, and I knew/felt something had 'happened', and that "that something" couldn't be good...I asked aloud, "Did Something Take Place that I should Know About?" When I found out, I was shocked, like the rest of the nation...
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How Awful. Another day that forever will live in infamy. All these years later, I still don't know how to sum it all up, except to say that it's a day we'll never forget. And it's a day we can't afford to forget. We were all affected by it, but to those whose lives were lost, and to those who lost family and friends on 9/11, I wish you all the best, and you're in my thoughts and prayers.
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Obviously, all of those responsible Must Answer For Their Crimes. But more than anything, I really hope our country can 'get it together' enough to somehow provide all the security necessary to make sure something like this Never Happens Again.
Thursday, September 10, 2009
I'D SEND THEM A BILL...
Tuesday, September 08, 2009
WACKY STACKS OF WAX!
...remember all the stuff they used to do to records?
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I don't have a whole lot of special pressings of albums in my record collection, but there are a few...such the Clear Yellow (gold if the light hits it just right) edition of Grand Funk's "We're An American Band" album (1973); I have a 1970-ish pressing of Dave Mason's "Alone Together" solo LP, which consists of grayish plastic with random smatterings of yellow, blue and black; it's so ugly that one Record Critic referred to the vinyl as "Vomitone". And, you probably remember Elvis' last studio album, "Moody Blue" that was pressed on, you guessed it, Clear Blue Vinyl. (Only, by that time, Elvis was so ill that half the songs on that record were recorded live on tour, since in those latter days it was very difficult to get Elvis into the recording studio...)
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If you can find a copy of Styx' "Paradise Theater" album from the early 1980's, it has both the Side 1 and Side 2 songs listed on one side; the other side has the Styx logo enlarged and Laser-Engraved right into the black plastic. I guess the etching doesn't go into the grooves, though; I can't hear any scratches when I play that side. And, of course, who can forget Picture Discs; I don't have many of those, but I've got a few...you've seen the Beatles' "Sgt. Pepper" album so I don't have to picture the cover here, but I've got a "Sgt. Pepper" picture disc; the entire album cover is on one side of the disc, while the other features an enlarged picture of the "Sgt. Pepper" drum. Pretty cool. Although, watching those colors spin 'round as the record revolves might make you wanna reach out for the seasick pills...
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But this business of messing around with record pressings is nothing new; heck, there were picture discs made from the 1940's onwards, and waay back when, in the '20s, a pair of record labels, "Pathe" and "Perfect" (which were owned by the same company) released virtually all of its discs up thru 1927 or thereabouts on a weird-looking brick-red plastic; who knows why that ugly color was chosen, although the record labels were red, and maybe they were trying to match that. Well, recently, I 'won' a group of Miss Lee Morse records (according to Ebay, 'winning' means you've earned the right to purchase item(s))...and I didn't know it, but one of the records I 'won' featured weird-looking shellac (or an early plastic known as 'Bakelite'), and it looks Very Trippy Indeed, especially for a record that came out in the mid-1920's. First of all, here's the 'hit' side...allegedly it was a hit; I have no chart information for the 1920's...I don't think there WERE record charts back then...
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Silliness ran rampant back in the "roaring 1920's"; the nation had been dragged through World War I, and once the war was over, America was in a mood to Get Silly. 'Twas the age of Flappers (party girls), the Charleston (a dance that shocked the Elders of that time), right around the time Prohibition was levied (they established the same climate for liquor, then, as presently exists for Marijuana now), so people had to go Underground to Drink, in clubs known as "Speakeasys". I don't know if "Under The Ukelele Tree" burned up the record charts back then, but certainly the title fits the times. It was time to get silly. And believe me, they did back then. When they weren't dodging gangsters' bullets, anyway...
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This is the "B" side (as is spelt out by the "B" on the label's right side), a little tune that I didn't even know existed. I've heard probably 95% of the songs Miss Lee Morse recorded, but I'd never heard this one before. It's called "Waiting", and like many of her other Pathe/Perfect B-sides, she wrote this one and it's a charming little number. I haven't seen this song posted anywhere on the internet, so it's pretty doggone obscure. Now, at this point you might be asking yourself, "what's with all those blotches on the record surface?", and well, I don't really know; it kinda reminds me of those pictures you paint at the County Fair, where they put a piece of paper inside a rotating device that spins ultra-fast, and you then squirt different colors of Ink in there, and you come out with something that looks semi-psychedelic. Well, someone at the Pathe/Perfect record-pressing labs evidently got wacky with the wax back in the 1920's, someone who was goofing around, getting silly, because after all, the '20s was a silly time. So when you get silly with the material that goes into making a record, well, here's the result:
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It's not "vomitone" but it comes pretty doggone close. An old 78 from 1925-27, somewhere in there. It actually sounds pretty good, although recordings made back then were acoustically made, and as a result, there was no "high" fidelity, there was fidelity-only; take it or leave it, I guess. Later on, electricity was applied to the recording and playback processes, the end result being records that sounded quite a lot better, although the record material itself was rather limiting; vinyl hadn't been invented back then, so the old, crusty shellac (or 'Bakelite') whirred around madly on the turntable, and your Steel Phonograph Needle tried to thread the grooves and produce at least some semblance of music. (With the weight of those old tone-arms, I'm surprised the needle didn't cut into the other side of the record!) So anyway, this is a little tidbit from the record collection I thot I'd show ya.
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Someday, when I work up the initiative, I'll get really daring and pull out the Vomitone record (I can barely stand to look at the thing) and picture it here for the world to see. Looking at the record I've pictured here in this post should prepare you for that. Finally, I don't pretend to be any kind of history buff, although I've been reading quite a bit about life and times early in the 20th century, trying to gain some understanding of what we've been through in order to get where we're at now. Kinda makes me wonder what things'll look like in another hundred years...
Monday, September 07, 2009
MY ILLUSTRIOUS CIGARETTE SMOKING CAREER...
I was in a grocery store the other day, and I passed a locked cigarette case, and happened to glance at the price for a certain brand of cigarette that was being sold by the carton: $51.49. Over 50 bucks for a carton of smokes. No wonder they're being kept under lock and key, I guess. Oh, how the times have changed; I remember when Mom would send me to the grocery store for milk, bread, and a pack of whatever-brand-of-low-tar-cigarette she thought was doing her the least damage...as I recall, a pack ran about 30 or 40 cents back in the '60s and I really haven't kept up on cigarette prices, since I don't smoke. Dad was a Pall Mall man. Sometimes I'd get sent to the store to buy cigarettes for him as well. Most of the time, my sister and I would head out on our bikes to the neighborhood grocery store, and along with the cigarettes, we'd be allowed to buy a little something for ourselves; we'd either get a couple candy bars each, or if it were summer, we'd go for the "Mr. Freeze" frozen 'pops', which were about a foot long. What a great way to beat the heat. And a lot tastier than cigarettes!
I decided, on the next cigarette, I was gonna Really Taste It, just like all those people in the cigarette ads did. I actually tried to deeply-inhale the smoke into my Lungs, and talk about an Instantaneous Breathing Rupture...it felt like something blew up inside my chest, followed by "hack, hack, hack, wheeze, cough, cough, cough". Oh, my Gawd. My face was red; my eyebrows were sweating, and if I'd coughed any harder, my eyeballs woulda popped right outta my head. I know a lot of folks come down with emphysema, lung cancer, and other assorted respiratory maladies, and the question I must ask is, how much does one have to smoke to adversely affect their lungs? Because, based on my reaction to that cigarette, there was no way I could commit smoke-i-cide. I suppose that on down the line, something else will get me, but it won't be cigarettes. Because, way back when I almost ruptured myself from deeply inhaling cigarette smoke, is also when I quit. I'd been smoking for ten MINUTES. No thanks. Not for me. But you know, it really wasn't the coughing fit I had, it was more that I was beginning to (almost) LIKE the cigarette 'aroma'; could that be the 'taste' which smokers referred to? That certain something by which people became addicted to cigarettes? And then I thought of how many times my folks tried to quit and couldn't. With that, I placed the still-almost-full pack of cigarettes on the floor, ground my heel into them, and tossed 'em away.
Wednesday, September 02, 2009
THUMBING THRU THE PERIODICALS...